Petra by Night

I found the Lonely Planet review of Petra by Night to be pretty uninformative, so I wrote my own.

Petra by Night

Night falls over the Rosy City.  In the dusty evening, a group of people gather by the gate to Petra.  Like so many Nabatean merchants before, they wait in anticipation of the riches that this ancient city will afford them. 

Meet at the entrance to Petra at dusk, and cross the border from the modern city of Wadi Musa, to the hauntingly beautiful mercantile hub of Petra.  Take the stroll down the Siq, lit by candles and luminaries and bordered by natural sandstone walls.  When you and your fellow travelers reach the Treasury, the most famous and certainly most photographed structure in Petra, find a seat on a woven mat and settle in for a show.

A Petra historian addresses the crowd, providing an account of the function of the Rosy CIty, the Treasury and the countless structures, tombs and places of worship that surround the main building.  The voice of the historian, echoing through the ruins, transports the listener to a time when Petra was a bustling center of commerce, a meeting place for traders from around the Fertile Crescent.  As you are immersed in history, small cups of tea are expertly passed to all 200 listeners.

The sound of traditional instruments fills the amphitheater, weaving its way through the Treasury and bouncing off the walls of the Siq.  The vibrations, deftly teased out of an Oab by a man whose family has been playing this instrument for generations, and the high pitched piccolo blown by his young son, give a special view into the lives of the Bedouins who are the protectors of this place.

After the tourist saturated, sun beaten Petra of the day time, Petra by night is a unique, romantic addition to your visit to Wadi Musa, Jordan.  For only 12JD, you can experience a more intimate Petra, without all of the hawkers and gawkers.  Tickets can be purchased at any hotel or outside the entrance to Petra.  You may want to bring a small flashlight, as the terrain vacillates between sand and cobblestone during the walk down the Siq.  Always remember to bring water.  Though the desert nights are cool, the walk is long and dusty.

Jerash the Memories

The sun and clouds that define our mood are too intimate.  Our trip to Jerash was allowed only by the arbitrary lax attitude of the weather, spring dancing a prelude to a summer that promises to scorch.  Basking in the luxury of no special urgency, we went to visit the largest Roman ruins outside of Rome herself.

Leaving our city is like taking a small minibus into a dream.  Our eyes, having been attuned to a spectrum of desert beige are greedy for color.  Driving into the mountain regions the bus hums a song of envy.  The yellows, reds and purples of spring wildflowers hit us like an opiate, and playing in the same vein, become ordinary instances of life as quickly.

The ruins of Jerash are extensive and well preserved.  The column lined road to the hippodrome is paved with stones worn smooth by Roman sandals.  The theater in the round has tiered seating so steep that on approach to the entrance one can only imagine that generations of patrons to the arts have tumbled to their deaths or injurious demise.  Temples and columns have stood strong for the worshipers of their Gods, and then for the worshipers of the worshipers.

Tourists flock to Jerash, though not in the numbers that they arrive in Aqaba or Petra.  Drinking in the history of the Roman empire means sipping on the trappings of modernity in turn.  Hearing English, seeing exposed arms and legs and couples holding hands, the quality of living in an atmosphere of perpetual dread is momentarily assuaged.  Scarves and prying eyes removed from our bodies, the extremes of modern and ancient are laid out like an undeveloped negative.

Desert Flowers

Spring has come like a promise no one expected to be kept.  The sun warms the desert days, and we are grateful, if not a little bit disappointed that we spent the last month learning to say, "When is this spring coming that everyone is talking about?"  It has arrived and in our desert capital, things are blooming.

Even in this world of covered women, spring means an emergence from layers of thick wool.  Blooming from the warm earth tones of winter spring brightly colored hijab, the balled ends of pins used to secure cling to silk petals like dew drops.  The wearing of hijab, or her more conservative sister niqab, is cause for some political and religious discussion, even here where most women chose to cover.  The extent to which one covers is gently judged by those who chose to cover less or more or not at all.  Religion and politics aside, hijab undeniably affords a channel of expression.  Hijab is religious first and foremost but hijab, with out a doubt, is also fashion.

The word hijab my conjure only confusion for Americans.  Head scarf or veil (a term which seems to mislead people into thinking hijab covers the face, which it does not) may perk a few more ears but often comes with a vision of women draped in sheets of black.  From a neon pink, to a subdued pattern of blue flowers, to stamped with familiar Prada or Coach logos, the plain black hijab of our western imaginations is rare here.  As with any fashion, it is the youth that lead the way in innovation.  It is not only the pattern of the scarf itself, but how one chooses to tie it.  Some choose to don a lining and then tie the scarf so the the lining, in an complementary color, is showing, creating a layering affect.  Tied with the edge of the scarf falling like a waterfall to the left or right of the head, secured with a colorful broach.  They come built up in the back, creating the illusion that the wearer is covering a massive head of hair, or smoothed down to hug the shape of the head and sometimes, provocatively secured so the smallest wave of bang is visible.

Walking through the souq, the river of delicate scarves is as distracting as the crates of multicolored fruits and veggies.  The sun finally on our faces, warming the tops of our heads we are ready for the seasons to change.  The vendors holler out their deals, men sit in plastic chairs on the sidewalk, drinking coffee or smoking arguila. Occasionally an uncovered mess of hair stands out from the crowd and I resist the urge to pull her aside, to ask if she is foreign like me, like some kind of uncovered club.  We have our reasons for letting our hair play in the spring sun.  We all have our reasons for covering it up.

If you can keep your head whilst people around you are panicking, you've probably misread the situation.

An afternoon of sunshine is punished by desert winds.  The gales freeze our eardrums and throw sand in our faces and we are forced to be homesick for Oklahoma.  Another freeze, another blanket of rain has pushed it's way in to our city.  It's almost spring, we are told, and I almost believe its true when I see that our neighborhood Goat Man has a half dozen new kids.  Goat kids, to be clear.

I imagine a line of refugees at the border crossing just a brief jog from my house, reaching in to Syria, curling around like a damp fuse.

Our lives are blessedly unaffected so far.  Work continues, laundry piles up and then is washed by hand and strung up on lines for the world to judge, trips to Amman, breakfasts of eggs and yogurt.  We are invited to people's homes for coffee, we are invited for tea, we are invited for dinner and we accept.

Jordanians, and more largely Arabs, are the best hosts.  We accept an invitation for lunch, and enormous platters over flowing with lamb, chicken, almonds and yogurt are set before us.  We are fed fresh onion tops and home-pickled vegetables.  We drink coffee, we drink tea, we eat apples, we eat sweets.  An Arab will freeze through the night to make sure his guests have enough blankets.  There are stories of great kings at war with other nations, who by political circumstance must host their enemies in their own palaces.  The enemy of an Arab should feel no fear as the guest of his adversary, as he is just as likely to die from being overfed than some clandestine poisoning.

Jordan is host to the world's betrayed.  We pass a refugee camp, built as a temporary reprieve 40 years ago, host now to generations of a diaspora.  Almost 2 million Palestinians and 1 million Iraqis have sought out the peace of Jordan.  The country is preparing for another wave of guests.  The national tea pot is bubbling on the stove as camps, aid centers and, in our small city, field hospitals are erected to tend to the injured and to warm those who ache for a life lost, for a future to come.

An American, a paraplegic and a custom's officer walk into a post office.

Houses in my city do not have addresses.  This is not unique to my city, but true in most cities and villages in Jordan, with the ever excepted exception of Amman.  To find a physical residence, one must rely on a narrative description of the location, accompanied, sometimes, with a touch of personal information about one's self.  For example, our physical address is, "The southern neighborhood with mostly Ahlaimats (a family name), the tall house across from Father Ahlaimat's gas can store."  Though, you would do just as well walking as far south as you can before hitting the main highway and shouting, "WHERE THE WHITE PEOPLE AT?"  You'd find us.

This lack of sleek, efficient street naming and house numbering presents a problem for those of us that would like to receive mail.  There is no trust in, "The American Couple that live in The South Neighborhood" on a package, and the people at FedEx probably wouldn't appreciate it.  The solution is, on the surface simple, but when played out, somewhat of a cultural exchange experience.

1. Opening a post box.  
1. To open a post box, please present your passport or residence card to the nearest Post Office.  The Post Office opens at 7am...opens at 8am...opens when we employees get here...after tea.
2. The cost for opening a post box is 12JD...14.50JD...18JD.  Where are you from again?
3. Please provide you name.  Please be prepared for confusion if your given name also happens to mean "I" or "me" in Arabic.  Please do not try to explain that your name is not "Me Bricker."  Please hold for laughter.  Please hold while we explain the joke to each other.  Please present your passport again.  Please hold while we pass your passport around and chuckle that your name means "I".  I am I.  I am me.  We invite you to take a moment to engage in an existential melt down.
2. You've Got Mail!
1. To receive an alert that you have received a package please provide your phone number, we will call you.  We will speak in a language you do not understand.  We will try our best to be accommodating.  We will try.  We will then tell you your Arabic isn't good enough.
2. Your package is available for pick up between the hours of 11am and 11:30am.  The term "hours" is used loosely.
3. You may be charged a fee, at 12.5% of the determined value of the items in the package.  You may be charged nothing because you have been honing your postal wasta since you discovered you need postal wasta.
1. Postal Wasta: (n) Influence or social pull with postal workers.  Often increased by means of candy and blondness.
4. Upon arrival to the Post Office at 11:15am, you will be told to wait 10 minutes...20 minutes...25 minutes.
5. Please proceed behind the counter.  Collect your package and follow the paraplegic Post Office employee down the dark corridor, past the bathroom, to the left, to the right, past another door, through two men smoking and into the dark room with the ripped couches and the custom's officer behind the desk.
6. Please open your package and explain what each item is, and what it is used for.  Is it expensive?  Why is your mother sending shampoo?  Does she know there is shampoo here?  We have shampoo.
7. Please present your passport.
8. Sign here.
9. And here.
10. Initial here.
11. Share your marshmallows.

See, just two easy steps.

I am from Los Angeles. Fuck you.

People want to show off their English skills.  Most people who choose to passively show off their skills (without coming up and actually addressing the listener) speak in a way that fully betrays their lack of understanding.

The following are different ways that people show off their English skills around town.


A group of children on the corner.

"Hellohowareyouwassyourname!?!"

"My name is Annie.  What is your name?"

"WelcometoJordanIloveyou!"


A man sitting in a restaurant on the other side of the privacy curtain that guards us women from being seen eating.

"ohmygod.......(waiting for a reaction from our table of Americans)........Ohmygod. (waiting)......  OHMYGOD."


While I was standing at the bus station waiting for a friend to arrive, a young man holding a box of old shoes passed by me.

"I am from Los Angeles.  Fuck you."

The Rebar of Hope

A pile of laundry, waiting to be hand washed and strung up on a line to dry, can control the weather.  As soon as that pile of laundry is large enough that you think you might run out of line, or patience, when the time comes to let the sun do it's job, there is a thunderclap and suddenly, rain.  Rain in the desert will only happen when you run out of clean underwear.

We are settling into our new house.  As one might expect, the desert lacks wood, and as such the houses are uniformly constructed of concrete.  It will take a few carpets to soften the edges of this new life, and as we pass through the forty days of unbearable cold, we are finding warm corners.

Construction in Jordan is a symbol of hope.  Hope that a son will be born, and that son will move into the a second story add on.  Hope that one day you will be able to afford to turn your house into an extensive complex for all your sons' families and their families, and the families of those families, until you've created generational strong hold family houses.  The result of all this hope is that most houses have the tail ends of rebar exposed, protruding proudly out of the roof of each house, casting shadows on the one or two piles of building materials that wait, with baited brick breath, to be one day built into a second story for the unborn son and his unborn sons.  Walking down our street, looking at unfinished home after unfinished home, the tension between the rebar, the pile of concrete, and the expectation to produce male progeny is palpable.

We live in the bottom floor of a three family home.  The second floor is divided between our landlord's sister's family, and our landlord's cousin's family.  Our house has a formal living room and sunroom, which we have shut and forgotten about until more furnishings come our way, two bedrooms (one of which we will turn into a work out room), a living room, intimidatingly large kitchen, and a bathroom.

Up two flights of stairs to the roof the rebar pokes out of the second floor and stretches to the sky, living silently in a constant state of anticipation.